While traditional studio recordings provide the luxury of multiple takes and post-production editing, capturing a live performance brings a distinct charm that’s hard to replicate. The unfiltered essence of a sound’s chemistry, the real-time interactions, and the genuine connection with the music come alive on screen, giving a taste of what it’s like to be front and center at a concert.
I don’t think there’s any doubt about. But how to do it that on a computer? Even in digital world you need “cables” to connect the audio output of your DAW to the software you use to record, whatever it is. If you are on Windows, the operating system will probably not help you and will make the use of an audio router almost essential, and you will have to have the patience to align the various software regarding Sample Rate, latency, USB buffers, etc. etc.
Furthermore, Windows has the unique ability to reset your audio preferences with each update, find out why. So if you had set your preferences manually you will find them back with the default Windows setting, which almost never coincides (for example, I record at 24 bit/48000 Hz but Windows regularly sets 16 bit, even if the sound card driver says otherwise). The worst thing is that Windows also resets the preferences regarding the so-called audio Exclusive Control, so something that used to work no longer works.
I mean, you’ve prepared your performance and all kinds of drugs are pushing into your brain and lo and behold, you press Record in your recording software and… error. “The recording device is not responding”. It’s not nice. Coitus interruptus of the worst kind.
But there is a way to solve the embarrassment: record directly from within your DAW. Fortunately, there are VST plugins to do this. Personally I use MRecorder by Melda Production, the free version.
Very simple but effective, with a series of options (some only usable with the paid version, but not essential for my use).
MRecorder interface.
It is a free plugin, downloadable with the MFreeFXBundle by Melda Production (38 free effects, not to be underestimated). And that’s the end of this problem. Put it in the main stereo mix bus on DAW mixer and live free.
I’ll be playing my music at this opening on Sunday, for anyone who wants to come and listen.
I like Selen’s pictures on the walls, inspired by the works of James Turrell.
I prepared some new music and sounds inspired by Selen’s colorful sights, and I hope everything works well.
My basic track is ready, I’m satisfied. To play it in a concert, I will use the technique exposed in a previous post and here.
Why do I want to specify this? Often in these cases we receive unclear requests regarding “live” performances. Anyone who has made any music knows that we only have two hands, and if you don’t just play one instrument and maybe sing over it’s impossible to produce an interesting performance.
Personally, I’m not interested in playing piano bar, I prefer complex and layered compositions, which would require an entire band to perform “live”. And even if that were possible, but it’s not, everyone would have to be in the same room and use the mixer output for feed the stream, because of the high lag affecting audio streams (mean: you play a note, and this note can be listened in Second Life after a delay of 30 seconds or more, and there is no solution).
Sometimes you also hear about double or triple streams, but that’s nonsense: in Second Life the stream applied to a parcel can be one and only one.
So I looked for the most useful workflow for me, and I’m happy I found it, as explained in the aforementioned post: i prepare my basic track and i play over, with my two hands.
All my music can be defined as “live”, and this is both an advantage and a flaw from my point of view. I don’t have a studio version of any of the music in my Bandcamp, it’s all live recordings of me playing them (Revox was once used, now a digital recorder but is the same approach).
A glorious Revox B77 MK2.
This also means that if I want to repeat the same thing, I wouldn’t know how to do it: often these are moments captured on the fly, and who remembers how I did them?
But that’s fine with me, that’s what I want, for me this is “live”, influenced by my moods, ambient around me, my inside. I like to tell a story, if I can, and sounds for me are the colors with which I paint a scenario.
I believe that the real distinction should be that between “I play my own music, produced and played by me using the needed tools needed to try to create the feeling that i want to communicate” and “I play/sing music produced by others“…
It is clear that the first case is the interesting one for me, but it is only my opinion. You can freely continue to call “live” something that for me is intrinsically dead, there’s no problem.
I much prefer listening to a live recording of original music than something fake, perhaps using a MIDI base prepared by others, in a piano bar style. Some are very good at this, no doubt. But it’s not a “live”, it’s a performance sung or played over a backing track, a pre-recorded medium generally produced by others.
The difference between streaming music and live music is in the artist, not the medium. Who can create the “collective effervescence” is the winner, dead or alive 🙂
I’ll leave the discussion open, there are certainly different opinions.
During the last meeting with the management of Linden Lab to which I was invited and in which the excellent Project Zero was presented, I asked a question that was quite off topic (but also not, basically we were talking about the evolution of Second Life) to Philip Rosedale regarding a possible and necessary development of audio in Second Life.
Why did I ask him of all people present at meeting?
Maybe someone remembers the virtual world he created some time ago, High Fidelity. Now this virtual world is no more (plans for gatherings on the High Fidelity platform to use virtual reality were scrapped by the beginning of 2019, and the platform became audio-only) and High Fidelity takes care of Advanced Audio Processing quite well, as the name announced from the beginning.
You can listen to some examples on the High Fidelity site, and the approach seems right suited to Second Life, both for Voice, and for the musicians, and for the environmental sounds.
Wear your headphones and try this to understand the topic, for example.
Pretty impressive, right? No, no one is knocking on your door 🙂
I remember that during the development of Sansar Linden Lab had started an approach regarding spatial and 3D, volumetric, audio. I don’t know if this experiment with ambisonic sounds was implemented in the final version, it’s been a long time since I visited Sansar. The conditions were very interesting and everyone ran to buy ambient microphones.
But, seeing Rosedale on the other side of screen, I had to ask.
I put on my poker face and asked directly.
“Excuse me Philip, maybe we can hope in the future to have a developement of Second Life on Spatial Audio?”
He looked surprised and responded immediately. After that I was the surprised one, because he didn’t say no but was open to possibilities.
Audio is one of the most primitive areas of Second Life: ambiental sounds for now are based on a mere support for small audio files (max 30 second each, in mono…) to be imported one by one and with some work assembled with scripting, far from what it is possible to obtain today and if you have watched the example video you can quite simply understand what would be possible instead.
I will not fail to remind us of this quasi-promise whenever possible, that would be wonderful, for musicians but for any user of Second Life.
Suno or Udio are gigantic platforms for making music with AI, with all the pros and cons of this type of tool. They also allow free access, which is fine to understand what they are, but if you want something more you have to pay, obviously.
What if I wanted to use Artificial Intelligence on my computer, and perhaps base my results on truly free material without stealing anything from anyone?
Personally I believe that an excellent tool for exploring AI on personal PC is ComfyUI.
In addition to being able to test all types of checkpoints for graphics and videos through its powerful node interface, it also allows you to manage a free audio library both for use and because it is based on open source audio materials: Stable Audio Open 1.0.
Unlike other models, private and not accessible for artists and researchers to build upon, Audio Open is based on a architecture and training process driven by a new open-weights text-to-audio model trained with Creative Commons data.
Stable Audio Open generates stereo audio at 44.1kHz in Flac format, and is an open-source model optimized for generating short audio samples, sound effects, and production elements using text prompts. Ideal for creating drum beats, instrument riffs, ambient sounds, foley recordings, and other audio samples, the model was trained on data from Freesound and the Free Music Archive, respecting creator rights.
How to do it? We see it right away.
As I said previously, we need a tool to manage all the necessary elements. Personally I had a good experience with ComfyUI, as mentioned previously, if you are inexperienced you can install the deskop version, if Python and its cousins scared you.
It’s really very simple, but for installation you can find all the necessary information on the ComfyUI website.
One of the features of ComfyUI is that it allows you to use AI without having to resort to excessively powerful PCs, which I personally find very sensible.
However, once the installation is finished, before launching the program, take a moment to look at the directory tree: inside the main folder there are some important folders, where we will have to download the files necessary to make the whole thing work.
Inside the ComfyUI folder, notice the one called checkpoints. All the files necessary to make our workflow work will be placed inside these folders.
At this moment our installation is virgin, and since our goal is to create sounds with AI, let’s get what we need.
Open the ComfyUI audio examples page, and literally follow the instructions. Rename the two files needed as stated, and put them in the right directories.
Download the workflow, and put it in the ComfyUI > user folder. Simply download the flac file, which you will then drag into the ComfyUI interface to extract the relevant workflow.
Now we can open ComfyUI by double clicking on the relevant icon created by the installation.
Drag the previously downloaded .flac file onto the ComfyUI window, and you should see an interface similar to the following image. The nodes can be repositioned as is most convenient for you.
The audio workflow in ComfyUI.
That’s it, you don’t need anything else and you’re ready to type your prompt into the node CLIP Text Encode and click Queue.
Example of audio generated from prompt in the image with the base workflow.
I hope it wasn’t too difficult. The technical part is finished, and if you have obtained an audio file in the Save audio node the installation works.
Creating meaningful prompts requires some experimentation, of course.
However, your results will be saved in ComfyUI’s Output folder.
I strongly suggest studying the prompts page in the Stable Audio User Guide, it really explains how to proceed.
This is the starting point, from here you can start building your own path with AI. For example:
BEWARE, it is a dangerous drug and your hard drive will quickly fill up.
You can find countless examples by doing a little search for “ComfyUI audio workflow”.
Obviously this is only one of the ways to obtain our result, there are many others. It’s just probably the easiest to get started with.
Our Daddio is in real life Gene Maruszewski, a university educated electronic musician operating out of Northern California.
He’s been dabbling in electronic music since 1973 and continues to this day. His compositions cover the broad spectrum from techno to ambient and some genres that have yet to find a name.
His most common tools are his 2 massive modular synthesizers trendy groove boxes, pedals, and effects.
Daddio’s Modular Synth.
“ I got bit by the electronic music bug tripping to Pink Floyd music back in 1969 and resolved to one day learn how to make that kind of spacey music. A few years later the University I attended started an electronic music class.
So I enrolled, and I got my hands on a Moog, the series 3 with a sequencer complement, an EMS synthi, a pair of Revox stereo tape recorders and a 4 track TEAC.
Daddio’s small studio.
I started to listen to people like Pierre Schaefer, Pierre Henry, Walter Carlos, Morton Subotnick and the like. I continued my music education after my move to California at the College of Marin, enrolled in their fine music department.
At first, music was a more of a hobby while I pursued my career in bicycles and I resolved to return to my electronic music endeavors upon retirement which fortunately came early.
Daddio’s Bicycle Synth.
By the turn of the century I was heavily involved in making electronic music, having purchased my first modular synth, a Doepfer a100 system, and have been at it ever since.
Real Daddio’s Modular.
I work largely with a modular but also some pedals and outboard devices; effects, EQ’s, etc., and I also have a couple of the trendy boxes like an MPCx, an Octatrack, and a Keystep Pro.” ~gm
Daddio Dow has been making electronic music since 1973. He calls himself a music mechanic, assembling various sound bits into eclectic electronica. He draws from influences from before Bach and after Eno. Sometimes ambient, sometimes noizy, you’ve not heard this before.
We are pleased to host him for the last event of 2024 on the roof of The Hexagons.
A song for us avatars: Livio Korobase & Renee Rebane in Digital Holiday.
[Verse] In the land of codes and streams, Where we live our digital dreams, The snow falls bright in shades of blue, A pixel-perfect holiday view. Avatars in festive clothes, Building trees where no one knows, Silent nights in a neon glow, It’s Christmas in the pixel snow. [Chorus] Oh, it’s Christmas in the pixel snow, Where the virtual winds of winter blow. Lights that sparkle, hearts that gleam, A holiday in a coded dream. Oh, it’s Christmas in the pixel snow, Together, no matter where we go. Across the wires, through the screen,
We celebrate as one big team.
Udio, Studio One, OBS. Video recorded in Second Life. Livio Korobase & Renee Rebane in Digital Holiday
One of the most controversial things about generative AI in the artistic field is undoubtedly the fact that the gigantic databases on which the generation is based are built with data available on the web, without asking for any authorization from the authors. Some sites have specialized in audio generation, but they do not care about the origin of the generated content and instead focus on the creation of web interfaces designed to facilitate the creation of “songs” that sound “believable”.
This also applies to graphics or wherever AI works generatively, so much so that the prompts can be tacked on with the wording “in the style of [famous name here]”, sometimes resulting in somewhat “artistic” results. But who is the artist in this case? Who wrote the prompt or who actually created the snippet that the AI based the piece on?
In my opinion there is no real creative act in this, it is more a question of luck than anything else.
The Singing Poet Society project case instead adds an element that changes the cards on the table. Tony has trained the AI (a process called machine learning) using his own material, aspects that in my opinion constitute the heart of the matter. The AI is used here simply as a tool for the construction of a song, it is not ultimately that different from using sequencers or other generative tools in a DAW.
However, knowing that the one singing is the AI with Tony’s voice is a bit shocking, but that’s what actually happens.
I haven’t come to a personal opinion yet and I don’t know what I think, but removing the use of materials made by others from the scene certainly cleans up the perspective.
Anyway, here is the recording of the evening, so everyone can develop their own conviction.
Tony Gerber aka Cypress Rosewood’s Singing Poet Society @ Hexagon 241207 (AI music project). Video by D-oo-b.
Whether you’re just starting out with Kontakt, or looking to add some additional flavor to a well-seasoned library of your own, here are 100 free Kontakt libraries and instruments for your sound sculpting collection (from NI site).
With three wavetable-based electric pianos and 14 different types of wavetable algorithms, the Wavesynth EP Glow from Karanyi Sounds isn’t messing around. Sensuously sampled on a Sequential Prophet 6 and tastefully transformed into a rollicking Rhodes-like patch, this lushly sentimental instrument is perfectly primed for retro-future fun.
The SYNTH-1 Mini Collection from Karanyi Sounds packs an army of archetypal 80s tones carefully cribbed from 6 iconic analog synthesizers. Processed through equally iconic hardware at a price tag that beats the small fortune you’d have to spend hunting these vintage tones in the wild, this collection is the perfect pairing for nostalgic sonic explorers.
*The SYNTH-1 Mini Collection is currently unavailable. Please check in at a later date for updates.
Faithful, fully-functional, and fantastically free, Beaotic’s reproduction of the legendary 80s drum machine the LinnDrum LM-2 is a revelation in sentimental sonic expression: Control the start position of your samples via key velocity; add subtle pitch with the Oscillator Drift; or tweak individual edits in pitch, volume, and panning to sculpt unmistakably 80s sounds.
The Commodore 64 Sessions Deluxe from Rhythmic Robot Audio features 30 superbly sampled patches from three different iterations of the iconic home computer. With an authentic SID Chip sound and a stylish and authentic UI design, this instrument can crank out everything from chip-tune drum kits to fat bassline synths, making it a must-have VST for crafting vintage 8-bit hits.
This experimental pack features seven authentically 80s-inspired wavetable synths. Unlike sample-based synths, which read a static waveform, wavetable synths allow stacked frames to morph from one wave shape to another as you play, resulting in harmonically rich asymmetrical sounds with a deeply textural and dynamically morphing quality – perfect for sculpting sci-fi patches, pads, and drones.
Vocal VSTs
6. Jacob Collier Audience Choir
Jacob Collier Audience Choir brings performances to life with audience samples captured from 22 different cities across the globe during Jacob Collier’s Djesse world tour. Get instant harmony with the chord generator function, blend different vowel types with the Vowel Morph pad, and conduct your own choir by recording custom motions in real time.
Piano Plugins and VSTs
Whether you’re looking for a heavy hitting sound or a delicate touch with your piano VST, we have some great free choices below.
7. Foundations Piano
Designed as a sound canvas for cinematic composers, this inspiringly lush piano from Heavyocity highlights the softer dynamics of a grand piano. These gentle notes form the basis of a textural sound design layer that can be manipulated to produce rain-like droplets or vibraphone-esque oscillations among even more unusual effects. An essential addition to any modern composer’s toolkit.
8. The Felt Seiler
Strezov Sampling’s Seiler was sampled from an upright piano with a layer of felt between the piano hammers and strings, giving it a warm and intimate tone. With a little massaging, the three different synth layers can be mixed and individually reversed to create otherwordly sounds and uncommonly wistful tones.
9. The 88E
Ever wondered what it might sound like if you tuned every single one of a piano’s 88 keys to “E” and played them all at once? Then Impact Soundworks has just the instrument for you. You can even stack up to three voices together, resulting in a truly massive sound that covers wide-ranging timbres from horror stabs to subterranean pads, and more.
10. Preparato Piano
Recorded in a Roman church, Xperimenta Project’s prepared piano samples are a celebration of imperfection. This experimental library boasts diverse tones from foreboding string scrapes to delicate repetitions and everything inbetween. For especially chilling ambiences, try layering convolution reverbs from both real-world and fantastical spaces and enter a rabbit-hole of sound design possibilities.
11. The Lobby Piano
Pianobook’s Lobby Piano is a small grand piano recorded with a variety of techniques to create sculpted layers of creative sound design picks and plucks. With 10 mixable articulations from hammers to mutes, it’s easy to combine the sounds to create your own bespoke timbres – or you can take inspiration from almost 30 presets that showcase the versatility of this uniquely playful instrument.
Percussion Plugins and VSTs
12. Jacky
Rhythmic Robot Audio’s Jacky features five combinable transistor rhythms with a warm, slightly gritty tonality. With five grooves to choose from and a simple two knob setup (one for distortion and another for compression) it’s vibey, minimalist, and great for copping those vintage rhythm machine sounds from old Shuggie Otis and Sly and The Family Stone records.
13. Taiko
The Taiko is a traditional Japanese instrument whose percussive sound is so powerful that it was historically used to intimidate enemies during battles in feudal Japan. Prisma Sounds’ Taiko brings these 6th century sounds into the 21st century with a 3 band EQ, ADSR filter, and an FX tab loaded with distortion, saturation, compression, and delay – all of which make this an exceptional instrument for driving, cinematic soundscapes.
14. Heritage Percussion
Recorded in painstaking detail with crisp 24-bit fidelity, Heritage Percussion is a free collection of 13 heirloom hand percussion instruments from Impact Soundworks. Create your own custom drum mapping with djembe, rattles, shakers, cowbell, cork drums, and clavs – each with adjustable tone and envelope settings, including open, muted, and rim strike articulations for the djembe.
15. Thunder X3M
Strezov Sampling’s latest entry in their Taiko Thunder series lets you assemble a diverse tonal palette from the twelve programmable percussion zones and tweak them individually or as a whole mapped ensemble using the pitch knob and transient controls. The impressive new engine also features multiple dynamic layers, round robin sample playback, three mic positions, and two custom vintage analog hardware chains – all of which can be seamlessly blended in for thicker and punchier sounds.
16. XoX Drums
Based on samples of iconic vintage drum machines, Autodafe’s XoX Drums features five vertical slots, each with different selectable kits of sounds. Boasting a jaw-dropping collection of kicks, claps, cymbals, cowbells, and toms, this free drum machine boasts an abundance of options for countless colorful combinations.
Guitar Plugins and VSTs
17. 8dio Songwriting Guitar
8dio’s cleverly constructed library was recorded with an ESP LTD Deluxe, an Epiphone Custom, and a Fender TexMex Strat, all plugged into a 1962 Drawmer preamp. It lets you trigger major and minor chord loops in all 12 keys, with four keyswitching strumming rhythms and 12 keyswitching effects. Ostensibly intended as a pre-production tool, its stellar sound and sonic versatility make it a great fit for any project.
18. Impact Soundworks Shreddage 3
Capturing a Fender Stratocaster in four articulations (Sustains, Palm Mutes, Release Noises and Chokes) over three octaves, and with up to three dynamic layers and four round robins, Impact Soundworks’ Shreddage makes writing mix-ready lead and rhythm parts a breeze. Up to 16 effects can be racked up from a library of 30 guitar-orientated modules, and the TACT page facilitates customization of the Sustain and Mute articulation mappings.
19. Pettinhouse Funky Guitar
The free predecessor to Pettinhouse’s Funky Guitar 2, this instrument works 450MB of Fender Stratocaster loops and one-shots into three separate KONTAKT instruments: Funky Guitar, Funky Guitar Strum and Funky Guitar Muted. The scripted interface common to all three instruments offers six different amp models along with EQ, overdrive, mod wheel-controlled wah-wah, and one-knob reverb, delay and phaser effects – everything you need to create vibey rhythm guitar tracks perfectly tailored to fit your mix.
20. KONTAKT’S Band Ensemble
Our own KOMPLETE START package nets you a couple of tasty free guitar libraries alongside a wealth of other sampled instruments, synths and effects. And there’s plenty of sound sculpting available via the Tone and Pickup controls, alongside powerful effects (like one-knob wah-wah, distortion, overdrive and compression modules, master reverb, and three-band graphic EQ), and fret and string noise for heightened realism. An excellent option for quick and easily adaptable guitar parts.
21. Samplephonics Ronroco
Though technically not a guitar (the Ronroco is an Andean mandolin), this inspiring emulation from Samplephonics features a sizable collection of tempo-synced loops in six distinct styles and a comprehensive array of chords at your fingertips for user-configurable MIDI triggering. Its distinct sound and exquisite quality make it a must-have for authentic South American rhythm and solo guitar lines alike.
Looking for a legendary lead to pump up your tracks? Look no longer! Boasting high-quality samples nudged to neverending sustain, this ambitious instrument offers up a wide palette of tonal options – with Cutoff, Resonance, ADSR and Filter Envelope controls, and independent volume controls for each layer – all perfectly packaged in a strikingly psychedelic interface.
If you’re in search of seriously vintage vibes, pianobook has you covered. This creative kit is actually two instruments in one: the first is packed full of the monstrous high-octane distortion that put the Korg MS20 mini on the map, while the second is flush with subdued sonics for lush low-key soundscapes – and both feature cutoff filter, saturation, reverb, and delay to take your effects-laden expeditions further.
Finally, an 808 that covers your ambient needs. Painstakingly processed through the Little Labs Voice of God Bass Resonance Tool, this avant-garde instrument adds an explosive, saturated quality to each 808 note while simultaneously generating celestial sounds in the lower resonating frequencies.
Test drive the world’s most powerful pulse engine! This slimmed down version of Output’s groundbreaking rhythm instrument combines fat analog synths and exceptional effects that are perfect for sculpting assertive arps, powerful plucks, and everything in between.
Experience the motherload of cinematic sound effects – from domineering drones and bellicose braams to action-packed impacts and newfangled noises. This colossal collection comes fully loaded with retro-inspired SFX sourced from vintage analog synthesizers, and it’s top to bottom tailored for trailers, film scores, offbeat excursions, and cutting-edge sound design.
A grand piano instrument with a polished sound and a very straightforward interface that offers Release Volume and Reverb parameters, plus an Octave Blend control that mixes in a lower octave for a fuller sound. For a simple, quick piano sound without too many complications this is a great choice.
Shimmer Strings gives you simple sustained bowed violin notes with a touch of ever-present vibrato. The mod wheel can be used to fade the instrument in and out, and Reverb and Octave Blend controls are also on offer to offer some sonic fine-tuning. Ideal for adding an organic layer to chord progressions.
Recorded from an original 1928 Steinway with its original strings, this fully-featured piano instrument includes Pedal and Release Volumes, a visual Velocity editor, convolution reverbs and effects plus some abstract morphing patches that take it into more esoteric sonic directions.
A five octave antique music box, Polyphon has a unique vintage tone that can be sculpted with Attack and Release controls, Low, Mid and High EQ, and a selection of seven effects. The instrument also features eight presets that can be accessed quickly from the main panel, making it quick and easy to get an inspirational sound.
A selection of dark and twisted sound sounds, Free Radicals includes bizarre ambiences, disturbing vocal effects, menacing hits, surreal risers and a selection of other off-the-wall timbres and rhythms. An ideal download for getting an edgy sound quickly.
Prepare to have your ears tickled by a huge pack of closely recorded, detailed sounds covering whispers, living creatures, foley, field recordings and ambiences. The quality of the samples is impressively high, and the nearly 4GB of content will provide you with a noise for every possible circumstance.
Domestic found sounds abound in this collection of percussive, melodic and atonal sounds recorded by the 8Dio user community in their homes. This instrument includes over 800 sounds and five Kontakt instruments, making it a substantial resource for sound design and straightforward foley sounds alike.
Dreamy drones are the order of the day with Ambient Guitar, a vast smörgåsbord of ambient timbres created with a selection of effects to bring out the mysterious side of the instrument. With tones ranging from ethereal atmospheres to morphing soundscapes and beyond, Ambient Guitar is a unique collection of organic sounds suitable for a variety of applications.
A tonal percussion instrument recorded with mallets, Smiley Drum is akin to a mellow take on a steel drum sound. With twelve separate Kontakt instruments included, covering FX patterns, rolls, hits, slaps and wet sounds, there’s plenty to make you smile if you’re looking for a chilled-out tuned percussion sound.
Abstract layered sounds are abundant with Free You, which features more than 300 presets each with three layers that can be balanced with the included mixer parameters. Free You includes rhythmic pads, textural melodic tools, stuttery rhythms, and other sonic delights that are sure to provide inspiration for those looking for something a little different.
Extensively sampled percussion sounds are available for free with Cajon and Bongo, which features recordings from small medium and large bongos, and snare and non-snare cajon. This meticulously produced instrument features recordings taken in two studios, with various mic placements to give you a supremely flexible percussion sound.
Recorded from a custom-made copper pipe instrument, Copperphone has a sound midway between bells and a metallic marimba. 8 round-robins are used to give the patch a natural, organic feel, and a bonus set of ambiences created with the instrument are included too.
Featuring more than 5000 samples, Mini is a huge collection of small sounds. Paper, hoses marbles, bubble wrap and dozens of other objects were used to create this library, which also includes a bonus set of ambiences and Impulse Responses for you to do with as you will.
Packed with epic and cinematic rhythmic sounds, Hybrid Rhythms is perfect for adding an edgy energy to your projects. The seven included each have ten rhythms that can be swapped between on the fly, and the instrument can be played by either triggering all the rhythmic elements together, or individually to customise the sound.
With sounds taken from ProjectSAM’s Symphobia series, The Free Orchestra has limited control options, but a broad array of instruments including basses, horns, strings, winds and everything else you could need for an authentic orchestra feel.
The follow up to The Free Orchestra includes new sounds such as tutti crescendos, dystopian bows, and warm ensembles, and at the time of writing its still being added to, so who knows what else you’ll find in there! The interface has also been enhanced to give you more control over the sound, making this an essential download even if you already have the original Free Orchestra.
The Rocky Mount Instruments Rocksichord is an electric harpsichord, used by the likes of The Beach Boys, Genesis, Dr. John, John Lennon, Sun Ra and Terry Riley. This virtual version includes all original stops and accents to give you the most flexible timbre possible, and a full effects section means you can tailor these tones to perfection.
Thunder Drum was recorded from a drum with a spring attached to the skin, which results in a continuous resonance through the body of the instrument when it’s shaken. This creates a noise that sounds like thunder, and in this Kontakt instrument every possible permutation of shaking, hitting and slapping has been sampled to give you a wild array of ways to create organic-sounding atmospheres.
Including samples taken from two music boxes, this instrument gives you Mix controls for both, allowing you to dial in the perfect sonic character. The patch also includes a filter with its own dedicated envelope, an amplitude envelope, and cathedral reverb with its own Mix control to get an expansive or intimate sound.
Inspired by the tape-based proto-sampling of 10cc’s “I’m Not in Love”, Tape Choir is a Mellotron-esque instrument based around samples of three male vocalists singing notes in unison. The result is an organic but uncanny choir sound that is perfect for creating angelic pads amongst other ephemeral sounds.
Also known as a thumb piano amongst other names, the kalimba is a westernised version of a traditional Malawian and Zimbabwean instrument. With its soft, pleasant sound this virtual kalimba is a great source of an exotic yet comforting sound, and it includes a built-in reverb and compressor to help you get the most of it.
Sampled from the very instrument used in the theme tune to the popular US children’s television series Mister Rogers’ Neighborhood, this virtual celeste has an enhancing, delicate sound. Perfect if you’re looking for an alternative to a regular bell or electric piano.
Packed with hits, stabs, textures, crescendi and glissandi, Tutti Free was recorded by a full symphony orchestra and has a powerful sound that makes it ideal for adding a dramatic edge to your music. Predominantly an atonal instrument, this is the ideal accompaniment to more traditional chromatic orchestral patches.
This electric piano patch offers an authentic sound with delicate softer notes, becoming richly harmonic at higher velocities. It includes customisable Tremolo, Drive, Chorus and Room effects, plus dedicated controls for Hammer and Release and some simple EQ settings.
An orchestral library with a huge amount of content, Vivace Legacy features 11 instrument patches covering chords, runs, crescendos, stabs and plenty more besides. Vivace Legacy gives you plenty of options to sculpt the sound by turning individual orchestra elements on and off at will, and also includes keyswitch options for getting a nuanced performance.
A festive collection of tempo-synced rhythmic and one-shot samples, Sleigh Bells is a surprisingly sophisticated instrument. Featuring recordings of six types of sleigh bells from individual bells to a 25 bell stick, Sleigh Bells will add a wintry feel to any project with ease.
Take yourself back to mediaeval times with this drone instrument that played an important role in musical styles from Europe, Eurasia, and large parts of the Middle East. Providing a rich bed for melody instruments to perform over, the hurdy gurdy has a distinctive sound brimming with historical flavour.
Bringing you all the fun of the fair, Carousel is an authentically recorded fairground organ instrument with an unexpected amount of depth, giving you control over the ten registers with level settings, octave offsets and a tutti mode to give you the pipes of your dreams.
Easy to use but with a great deal of control, Minimalist Violins Legato Free has a polished sound and allows you to mix three microphone sources to get just the right tone. Delivering both fantastic legato lines and chords, this is a great download for realistic-sounding strings.
56. Strezov The Creative ToolboX: Steinway Grand Piano
A beautiful, crystal clear-sounding Steinnway with an unfussy interface, The Creative ToolboX: Steinway Grand Piano nevertheless gives you a good deal of control over its sound with three sets of microphones to mix, plus EQ, pedal noise, stereo width and room reverb controls.
57. Strezov The Creative ToolboX: Drums and Percussion
A useful collection of bread and butter drum and percussion sounds, this instrument features three patches: a Roland TR-808 kit, a drum kit, and a full-featured set of percussion sounds. These all offer comprehensive mixing controls and their straightforward presentation makes them easy to use.
Offering piano, double bass and two alto sax instruments (sustain crescendo and legato flutter), Diamond Jazz Trio Free is a convenient one-stop-shop for jazz sounds. The double bass is arguably the best instrument on offer here, with a rich, punchy sound that sits great in the mix.
The xiao is a Chinese vertical end-blown flute, and this free version from Strezov’s JADE Ethnic Orchestra is very straightforward, with Legato, Overlap, Release and Reverb controls, plus the ability to mix three microphone sources.
The duduk is a double-reeded woodwind instrument originating from Armenia, and this free instrument brings its evocative sound to your DAW. Offering sampled phrases that can be played chromatically, this instrument has limited flexibility, but it sounds beautiful.
An uncomplicated male choir, Ancient Voices has polyphonic and legato modes, plus a Dynamics control and settings for Close and Stage mics and Reverb level. With just a two-octave range it’s not the most expansive instrument, but it has top-notch sound quality and is quick to use.
Intimate Strings LITE gives you three elementary string patches, a legato string, plus sustain and sordino polyphonic. The instrument has a limited three-octave range, but the variety of patches gives it some flexibility, and its sound is excellent.
Let’s talk turkey: Gobbler is a very simple novelty instrument that features up to five human voices impersonating our chunky feathered friends. You can turn each voice on and off, and there’s a Verb mixer for getting the perfect level of avian ambience.
Capturing and subsequently mashing up the sound of a vintage recorder/melodica hybrid, Harmonette isn’t an instrument for everyone. However, if you’re after unique tones its eleven varied instrument patches will bring you unexpected sounds that might just fuel your imagination.
Created using the unforgettable sounds of a squeezy toy giraffe, Atmoraffe is a light-hearted and extremely specific instrument that might be just what you need in some very specific use cases. It also includes a bonus patch Where Animals Go To Die, which features the sounds distorted to an ear-piercing degree.
An improvised drum instrument created with water jugs, Jug Drum Free has a big, tactile sound that could be employed to create dramatic drums, enhance rhythmic parts, or to beef up impacts. The patch features four octaves of sounds and a Reverb button.
An unforgettable vintage tenor recorder instrument, Ivory Wind offers legato, vibrato, Round Robin and Stage reverb options. Both mono and poly modes are available for all your playing needs, making it a great choice for those after authentic recorder sound.
A Canjo is a single string musical instrument made from a can, and is held like a guitar but may also be played on a table or lap. This virtual version gives you its authentic sound, and includes an arpeggiator for rhythmic can-based action. The download includes 14 patches, giving you more canjo than you ever knew you needed.
With its vague name, you might suspect there’s something mysterious about The Keyboard, and you’ be right. Originally an April Fools prank, this instrument features sampled sounds from an unplugged MIDI controller. So, if you’re after plastic tapping and scraping noises, The Keyboard has everything you need.
The Kitchen delivers the most dramatic kitchen foley sounds you’ve ever heard over its 14 discrete instrument patches. Everything from processed oven door slams to arpeggiated lamp hits is here, taking everyday household objects to strange new sonic places.
This 9GB download is substantial to say the least, but as long as you’ve got the bandwidth it’s worthwhile thanks to Roads MK II’s incredibly authentic recreation of the classic Rhodes MK II electric piano sound. The incredible range of velocity layered timbres its provides put it on-par with the best commercial electric piano instruments, making this an essential download.
Prepare yourself to fall in love with this soft and inanimate piano which uses 12 velocity layers to get its delicate sound. Including 18 IR convolution reverbs, LO.VE. Piano is ideal for creating romantic moods and perfect for creating soulful soundscapes.
A granular sample playback instrument, Korn allows you to twist the 20 included samples or whatever else you like into eerie soundscapes with its comprehensive controls. Ideal for creating drone music or soundtracks.
A pattern generator that triggers tenor ukulele, xylophone and guitar harmonic samples, Zement 3 creates complex harmonies and features a Randomize button for when you’re low on inspiration. With spooky-sounding Hall reverb and Delay, Zement 3 will take you for a walk on the aural wild side.
An instrument dedicated to making abstract soundcapes, Mad Libs Xmas allows the user to pick two sound sources from a pool of 14, and combine them with EQ and Church reverb to create otherworldly tones.
Make a drone of your own with Landscape. With seven layered source sounds and eight effects, this instrument has the potential to create sonic vistas beyond your imagination. If you’re struggling for inspiration, it features randomization features, plus an ‘Infinity’ mode that creates endless, forever-mutating soundscapes all by itself.
A bite-sized box of ambiences, pads and textures, Colors Free includes ten sound sources that can be mixed together to create haunting leads and chords. There’s also a dedicated source for noises, and a small but powerful effects section with Drive, Filter, Chorus, Reverb and Delay effects.
Leeds is a town in the English county of West Yorkshire, and as its name suggests this instrument was recorded from the Town Hall’s imposing organ. 3.5GB it’s pretty weighty itself, and it features six presets that range from a modest sound to literally pulling out all the stops. For striking organ sounds, this is a no-brainer.
Tuned Vietnamese gongs are the order of the day here, with a detailed interface that allows you to mix between mallet and stick sounds, add up to three syncable feedback delay lines, convolution reverb with 26 impulse responses to pick from, chorus and transient shaping.
Spooky pizzicato plucks haunt this free Kontakt instrument, featuring a Density slider that when turned up transforms the patch into something truly uncanny-sounding. A useful tool for adding a disturbing edge to soundtracks.
Standing for Extra Harmonics, Ext.Har is a library made from viola harmonics that can be played chromatically. Described by its creators as sounding like a mix between a flute, an organ and a cello, Ext.Har. is a good choice for those after an alternative to tried and tested traditional string or woodwind sounds.
Trap Gods is a quick way to get a bunch of workhorse trap sounds including Roland TR-808-inspired drums (naturally including big 808-style basses), plus leads, keys, pads, plucks, strings and more.
A convenient collection of urban-style kicks, snare, hats and percussion samples, Sounds From The Streets is a quick and streamlined way to make trap and hip-hop beats fast, and the quality of the drum hits themselves is great.
As well as a selection of typical trap drum sounds and 808s basses, Galaxy also includes 10 ‘beat starters’, instrumental, drum-free loops at various tempos designed to give inspiration to start your own track.
A gritty, primitive-sounding synth, NamoMod 7 allows you to morph between detuned multi-voice analogue oscillators and an early digital synth waveform that can provide you with a respite from the polished gloss of contemporary soft synths.
Offering a unique take on orchestral chords, this instrument features a full orchestra sound with optional extra low and high strings. The unusual part is that the chord played is either major or minor depending on note velocity. This can lead to some interesting results, and the chord samples themselves are big and beautiful.
PatchVault Taster offers a simple polysynth patch with filter, chorus, tube, amplitude envelope and tilt EQ options to sculpt the sound to your taste. To add expression you can adjust the modwheel LFO rate, and activate glide mode for portamento lead lines.
Recorded from an analogue metronome, Doctor 33 features four extremely lo-fi but charming percussive analogue splats, bleeps and ticks. The instrument includes a Tone control that can be used to filter these sounds to interesting effect, and it’s perfect for getting an old school analogue feel.
Sampled from an extremely venerable analogue rhythm machine, PanaRhythm uses round robin samples to maintain analogue authenticity, and includes three sounds: a kick, a hat, and a snare that can be played chromatically over an octave.
An exploration into nature-inspired acoustic-electric hybrid sounds, Hypha is optimised for polyphonic aftertouch and includes organic textures, atmospheric keys and mysterious soundscapes among its presets.
The synth sound of the 1980s is brought up to date with this preset-packed instrument. Dozens of synth-based plucks, basses, leads, FX, and pads are included, making Analog Dreams ideal for synthwave, techno, and anything else with an electronic edge.
A meditative collection presets divided into chords, FX, metallic, natural, pad, sequenced and synthy categories, Ethereal Earth is the perfect instrument for creating chilled soundscapes and relaxing ambiences.
This state-of-the-art instrument features a meticulously-sampled 34-string Irish harp complete with a swathe of keyswitches and performance phrases that will have you sounding like a Gallic musical genius at the press of a button.
The yangqin is a traditional Chinese hammered dulcimer, and this virtual version includes advanced scale, mixer and mapping controls, plus myriad keyswitching capabilities and built-in performances.
Foundations Nylon Guitar provides a great clear acoustic guitar sound with a clean interface, and if you’re looking for more esoteric sonic inspiration it can handle that as well. With atmospheric reverb and delay effects plus an additional texture layer that can be dialed-in plus an arpeggiator, this is a fun instrument that more than fulfills its remit.
Ideal for hybrid electronic-orchestral scores, Cinematic Synthetic Drums is crammed with epic percussion hits and devastating drum sounds. FX keyswitches are available to help you create the perfect feel, and an Ensemble mode allows you to increase the size of your sounds.
Inspired by a certain popular handheld gaming device from the late 80s, Super Audio Boy includes classic chiptune waveforms such as pulses, triangles, saws, and four separate voices to play them back with. Wave waveform can be tailored with pitch, amplitude and filter modulation, and there’s also an FX section with a reverb inspired by a famous home console.
The stroh violin is a self-amplified variation on the classic violin design with a resonating metal body and horn. This Kontakt version includes three custom-mapped articulations, with dedicated step sequencers for velocity, step length and attack offset. The perfect instrument for creating unique, rhythmic string tones.
An orchestral library created from public domain samples, The Alpine Project serves to complement other orchestral libraries by focusing on a wide variety of expressive solo instruments. With more than 1.5GB of samples included, The Alpine Project offers a comprehensive collection of brass, woodwind and string patches.
PRISM Drums – Lite Edition includes six drum kits: Modern Pop, Retro Pop, Trailer, Urban Legends, Taped Drums, and Lofi Drums. Featuring a straightforward interface with Compression and “Sauce” sliders, PRISM Drums – Lite Edition is a handy way to get some slamming drum sounds into your mix quick.
Looking for even more free instruments? Check out this list of free VST plugins.
Saturday Dec 7 1PM SLT in Second Life, Roof of The Hexagons. Presentation of project, performance and Q&A session with Tony Gerber
There is always a lot of discussion about artificial intelligence and its intelligent use, it seems that the same adjective is used in a inconsistent way.
I really like this Singing Poet Society project, because it is undoubtedly an example of how AI can be used creatively and in an original way.
In an innovative blend of art and technology, Tony Gerber, a visionary artist and musician, has embraced artificial intelligence (AI) with enthusiasm and creative inspirations. His creations contain various musical blends of his own original music and AI music collaboration.
The Singing Poet Society YouTube channel serves as both a platform for artistic collaboration with AI and an educational tool aimed at demystifying AI’s role in creative endeavors.
The channel proudly hosts an impressive collection of 110 videos, each transforming public domain poems from celebrated poets such as Robert Frost, Emily Dickinson, Edgar Allan Poe, and other literary luminaries into captivating song videos.
Gerber has harnessed AI driven graphic tools like Midjourney and integrated emerging AI music applications, including the beta version of Udio, alongside traditional video editing techniques to craft these engaging and thought provoking pieces.
“Singing Poet Society” is not merely an entertainment outlet but a source of inspiration and education. Beyond its YouTube presence, Gerber envisions the channel as a conduit for introducing AI into educational settings, particularly within schools and English classes. His goal is to illuminate AI’s potential as a tool for enhancing learning, by enabling students to explore and interpret the rich insights, life reflections, and human experiences encapsulated in classic poetry.
Through this initiative, Gerber encourages students to engage creatively with poetry, fostering their own compositions and song videos, and offering fresh perspectives on public domain, time honored works.
This fusion of AI technology and poetic artistry promises to open new avenues for learning and creation, making the “Singing Poet Society” a pioneering venture in the realm of digital education and artistic expression.
An example of Singing Poet Society channel content. Don’t miss the transcriptions of poetry.
Tony Gerber has been a part of the Nashville art, music and technology communities for 43 years. He has worked with technology as an artistic tool since the 70s and continues with project to inspire younger generations and reinspire older generations with Singing Poet Society.
